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Jennifer Allnutt

Persephone in Green

Persephone in Green

Regular price $2,400.00 NZD
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Artist Statement: 

This artwork is inspired by the ancient Greek story of Pluto and Persephone. In this story Persephone is kidnapped by Pluto and among other things is tricked into eating pomegranate seeds to become the Queen of the Underworld. Similar to the Hindu goddess Kali, Persephone was worshipped as the goddess of death.

I was further inspired by a psychological retelling of this ancient tale in the book 'Existential Kink' - a truly unique self help book! In this retelling the pomegranate seeds, rather than being a trick, are an acceptance of the underworld back into herself or an acceptance of her shadow self.

According to psychology, everyone embodies duality. A light (conscious) side and a dark (unconscious) side to personality. True Individuation is the result of becoming whole and that is accepting and understanding our darker instincts.

The Lily is said to symbolise purity, rebirth and spiritual renewal and the pomegranate is said to symbolise fertility but also female sexuality. I liked that these two motifs could symbolise the light and the dark in the reinterpreted story and while I was thinking about this concept I decided to push myself artistically to really play with light and shadow in this work.

Dimensions: 230mm (w) x 375mm (h)

Year: 2025

Medium: Oil on Aluminium Composite Panel

Framing Specification: Dark ornate frame

Framed Dimensions: 330mm (w) x 475mm (h)

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Quirky Fox

Jennifer Allnutt

Jennifer Allnutt is an artist based in Brisbane, Australia.

She graduated from the University of South Australia with a Bachelor of Visual Arts (First Class Honours) in 2011 and a Masters of Teaching in 2016.

She has been a finalist in the Beautiful Bizarre Art Prize (2024) and was the overall winner of the Lethbridge Small Scale Art Award in 2024. Her work has been exhibited around Australia, the US and New Zealand.

Jennifer Allnutt’s artistic practice is best epitomised as dark romanticism and figurative surrealism.

Using the inherent luminous qualities of oil paints, Allnutt applies glazing techniques to build paintings which are high in chroma, jewel-like and play with illusionism and depth. Allnutt is interested in mimicking the delicate qualities of skin and petals in oil paint and these two subjects often feature. As well as this she has a fascination with the natural world and memento mori art.

Allnutt’s works oscillate on the line between realism and illusionism. Characterised by darkly, picturesque florals and alabaster skin, she blends a northern renaissance sensibility with an idiosyncratic use of surrealism and symbolism. Pursuing sensuality, decadence and voracious luminosity in her paintings, Allnutt pairs this with the uncanny, fear and death.

Through the process of juxtaposing death with romance, wonder with fear and the awe inherent in the sublime, Allnutt links these polarities into a dark divergence and these strange pairings fuel the deep sense of the uncanny found within the work. Her use of juxtaposition is deliberate to examine the divisions and fluidity between mind/body, man/nature, reality/representation and good versus evil.